The Voices of The Repressed: Probing The Palimpsest of Saradindu Bandyopadhyay’s “Bishkanya”
This paper seeks to look at the politics of selective representation and characterisation in Saradindu Bandyopadhyay’s ‘Bishkanya’ (1938) within the context of colonial modernity, resistance, nationalist self- fashioning andidentity formation in the early 20th Century with the rise of nationalist consciousness. It empl...