Ahmed O. M. Abualrob

Alchemy as a symbolic framework in nineteenthcentury Western art: a comparative analysis of Rossetti, Moreau and De Morgan

Within a context in which experimental science redefined the limits of legitimate knowledge, alchemy acquired new visual and symbolic expressions in nineteenth-century western art. This study adopts a qualitative, iconographic-symbolic approach that treats alchemical concepts as structures rather than decorative motifs...