Disarray and Belonging in Transnational Literary Spaces: Image and Identity in Abdellah Taïa’s Celui qui est digne d’être aimé
This article examines processes of postcolonial self-definition in Moroccan francophone author Abdellah Taïa's novel Celui qui est digne d'être aimé (2017) through an imagological framework. Drawing on both classical and recent developments in imagology, the study analyses auto-images (Morocco), hetero-images (France),...