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Cong-Ping Wang

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Open access Sep 2026

Visual Symbols, Ethical Negotiation, and the Sovereignty of Memory: The Cinematic Representation of Christianity in Nanjing Massacre Films

This article examines the changing cinematic functions of Christian imagery, religiously inflected space, and theological language in films about the Nanjing Massacre. Missionaries, Christian schools, hospitals, and relief workers form part of the historical archive on which these films draw, but cinema reorganizes tha...

Xiao-Tong Wang, Cong-Ping Wang · 0 citations

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