Communicating a conflict from the past: a discursive analysis of social, cultural, and individual memory in the Romanian film Reconstruction
This study considers how the documentary Reconstruction (2001) by Irene Lusztig engages with individual, social, and cultural memory in the context of Romania's communist and post-communist history. By focusing on Lusztig's personal investigation into her grandmother's involvement in the 1959 Ioanid Gang bank robbe...