H. Khalil

Mythic Revisions and Gender Politics in Angela Carter’s The Bloody Chamber and Jeanette Winterson’s The Passion

This article seeks to examine the ways in which myths still merge identities in the modern global and post-colonial settings especially in the writings of Angela Carter in The Bloody Chamber and Jeanette Winterson in The Passion. Through it, it attempts to find the violence inherent in these myths and criticize the pos...