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Michela Canepari

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Open access Oct 2026

Folded Flesh: Material Grammar and the Translational Afterlife of Mary Shelley’s Frankenstein

Mary Shelley’s Frankenstein (1818) has generated an exceptionally rich history of textual revision, visual adaptation, and intersemiotic translation. While its cinematic and graphic afterlives have contributed substantially to the construction – and contestation – of the cultural iconography of the Creature, this artic...

Michela Canepari · 0 citations

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