NARRATIVE AUTHORITY AND FEMALE VOICE IN “LOST GENERATION” PROSE: HEMINGWAY’S “A FAREWELL TO ARMS” AND FITZGERALD’S “THE GREAT GATSBY”
The article examines the female characters of E. Hemingway’s “A Farewell to Arms” and F. S. Fitzgerald’s “The Great Gatsby” not as portraits but as narrative positions. Combining narratological analysis with quantitative indicators of presence, voice and dialogue attribution, the study shows that textual prominence and...