N. V. Tomashevskaya

The test of authenticity as an existential conflict in A. Salynsky’s drama “The Long-Awaited One”

   The relevance of the topic  is due to the need to revise the simplistic view of Soviet drama of the 1970 s  as exclusively ideologically engaged or “production-oriented”, as well as the growing scholarly interest in the existential dimension of late Soviet literature.    The problem lies in the fact that exi...