Ikú l’Obìnrin – ‘Women are death!’: An African radical feminist subversion of masculinity and power in Nigerian cinema
The Nigerian film industry, Nollywood, has become a constitutive locus for the (re)construction and contestation of gender identities. Through the combined frameworks of embodiment theory and African radical feminist thought, this study examines the Yoruba Nollywood film Ikú l’Obìnrin (literally ‘Women are death’)....