BETWEEN ART AND ABSENCE: SUBJECTIVITY, DESIRE, AND PSYCHIC FRAGMENTATION IN ANJUM HASAN'S THE COSMOPOLITANS (2016)
This paper explores Anjum Hasan’s The Cosmopolitans (2016) as a narrative that configures modern subjectivity via fragmentation, absence, and deferred desire. Transcending descriptive accounts, the paper underscores that these conditions are produced through narrative form and key moments within the text. Concentrating...