2026· Vestnik of Saint Petersburg University Asian and African Studies· Vol 18, pp. 33-45· 0 citations
Abstract
The article is devoted to the study of the poetic and genre features as well as the genesis of traditionalism in Uzbek poetry of the first half of the 18th–19th centuries, with a particular focus on the Kokand literary milieu. The aim of the research is to determine the contribution of poets from this period to the development of the common Turkic literary tradition, the specificity of literary connections in the Eastern region, the characteristics of Turkic aruz prosody and rhyme schemes, stylistic distinctiveness, and the interplay between tradition and innovation. The study explores the artistic and ideological features of the work of Gazi Khukandi one of the lesserknown representatives of the Kokand school. Based on newly discovered sources, details of his biography and literary activity have been clarified. For the first time, the extant manuscript and lithographic editions of his divan have been collected, systematized, and introduced into scholarly circulation with commentaries and explanatory notes. The study confirms that the literary and spiritual perspectives of the Kokand school were rooted in shared foundations and developed within a unified cultural and literary space. In addition, the influence of the Persian-Tajik poetic tradition on the evolution of lyrical poetry in the period under study is also examined.
The study provides biographical information, an overview of the scientific heritage and a literary‑critical analysis of the poetic work of E.Yu. Ovsyannikov. It also outlines the range of scientific interests of the candidate of pedagogical sciences, asso‑ ciate professor and translator, and highlights his achievements...
N. Zakirova, Svetlana E. Ovsyannikova· Vestnik slavianskikh kul'tur...· 0 citations
This article examines the problem of cultural synthesis in Russia at the turn of the 19th–20th centuries through the prism of the work of Lev Kobylinsky (Ellis) — a Symbolist poet, literary theorist, translator, and mystic whose personality and poetry became a concentrated expression of the key vectors of the era. The...
Albina Raxmanova, N. Ochilova· Bulletin of the Karaganda Un...· 0 citations
Tadeusz Różewicz perceived World War II as an apocalyptic catastrophe that brought about the death of poetry. He acknowledged that existing means of expression were powerless in the face of the extermination of Jews, and that this inadequacy evidenced the exhaustion of earlier poetic forms. Różewicz felt compelled to...
P. Stępień, Agnieszka Jeżyk· The Polish Review· 0 citations
This article investigates the reception of Anna Akhmatova’s poetics in the work of Maria Vega, a poet of the “first wave” of emigration. The study
of Maria Vega’s poetry from this proposed perspective has not been previously
undertaken in either Russian or foreign literary scholarship. Through a sequential analysis of...
The article analyzes the poetic mask of Angelika Safyanova — a literary mystification by Lev Nikulin — in the context of other famous literary hoaxes of the 19th and early 20th centuries. Nikulin’s experience is compared with the literary masks of Kozma Prutkov, G.P. Danilevsky (who created the mask of Evgenia Sarafano...
The study aims to provide a typological description of Louisa Siefert’s lyric poetry. Based on an analysis of works from the poet’s major poetry collections, the article identifies the most characteristic features of Siefert’s poetic world as well as the significant traits of her poetics. The scientific novelty of the...
V. I. Pinkovskiy· Philology. Theory & Prac...· 0 citations
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