Jul 2026· Samaj Shastra - The Mega Journal of Social Sciences· 1 citation
Abstract
This paper examines the intersection of postcolonial theory and existentialist philosophy as a productive framework for reading identity, race, and belonging in Indian fiction. Drawing on the theoretical contributions of Frantz Fanon, Homi K. Bhabha, Stuart Hall, and Avtar Brah, and engaging with primary texts including Salman Rushdie's Midnight's Children (1981), Arundhati Roy's The God of Small Things (1997), Jhumpa Lahiri's The Namesake (2003), Kiran Desai's The Inheritance of Loss (2006), and V.S. Naipaul's The Mimic Men (1967), the paper argues that postcolonial Indian fiction stages a form of existential crisis in which colonial histories of racial classification, cultural hierarchization, and forced displacement systematically undermine the colonized subject's capacity for authentic selfhood. The paper further contends that, rather than resolving this crisis through nostalgic return or wholesale assimilation, the most significant Indian fiction occupies a Third Space — hybrid, provisional, and generative — that constitutes a new mode of postcolonial being-in-the-world.
The postmodern novel is distinguished, among other formal features, by its sustained and often unresolved preoccupation with the instability of the self. Where the realist and modernist traditions that precede it, whatever their differences, generally retain some notion of an interior consciousness available to be disc...
Jyoti Dutt· Advanced International Journ...· 0 citations
Abstract
V. S. Naipaul’s A House for Mr Biswas (1961) endures as a seminal postcolonial novel because it transforms the seemingly ordinary misadventures of Mohun Biswas into a tragicomic allegory of colonial existence. The protagonist’s lifelong pursuit of a house, at once mundane and monumental, becomes a stage where...
Naomi Ngaomei, Nonie Lourembam, Harikumar Pallathadka· International Journal For Mu...· 0 citations
V. S. Naipaul is regarded as one of the foremost expatriate authors with direct colonial experience. Most of his novels address socio-cultural dilemmas in postcolonial contexts, providing a clear depiction of the inherent intricacies among marginalised communities. He outlines the challenges faced by Indian immigrants,...
Anju, B. Yadav· International Journal of Eng...· 0 citations
Hindu mythology is entirely a different realm and its impact on modern day India has formed an intricate face which this paper tries to elucidate. Sometimes, judicial or parliamentary references to mythic gender‐style figures such as Ardhanarisvara, Mohini, and Sikhandi have been framed to bring into play notions of...
K. Kalyani, Jintu Alias· Sexuality, Gender & Poli...· 0 citations
This article examines the construction of Kartini's heroism in three Indonesian historical biopics: R.A. Kartini (1982), Surat Cinta untuk Kartini (2016), and Kartini (2017). It departs from the premise that historical films do not merely reproduce the past, but reorganize collective memory through selection, dramatiza...
Volker Schlöndorff’s film The Ninth Day (2004) presents for cultural remembrance a story loosely based on Father Jean Bernard’s short furlough from the Dachau concentration camp during the Second World War, as told in his memoir Priestblock 25487. The film functions as a distinctive site of memory that reveals the dema...
W. Skiles· Religions· 0 citations
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