This paper analyzes how Sayaka Murata’s novel コンビニ人間 (Konbini ningen; Eng. Convenience Store Woman) constructs, reproduces and destabilizes gender norms, normative femininity, and womanhood in contemporary Japan. Drawing on critical discourse analysis, gender theory, and Judith Butler’s concept of performativity, the study applies Norman Fairclough’s three‑dimensional model to a close reading of key excerpts. The analysis demonstrates how normative scripts of womanhood are not only thematized but also actively produced and enacted: at the micro‑level, choices of lexis, metaphor, and modality; at the meso‑level, interactional routines of concern and advice; at the macro-level, links to the ideology of a male breadwinner, heteronormativity, and gender‑segmented labor regime. The analysis reveals how ‘normal womanhood’ emerges as an effect of discourse rather than as a natural given.
Feminist discourse occupies a vital place in Indian literature, offering a critical space to interrogate deeply entrenched patriarchal systems within Indian society. Voices, opinions, and ideologies historically suppressed by male-dominated social structures have increasingly found expression through literature, narrat...
Saima Amin· International journal of res...· 0 citations
Abstract: This study examines how dialogue, costume, and gesture characterize Jo, Meg, and Amy in Greta Gerwig’s Little Women (2019) and articulate gender inequality through Marxist feminism. Using a qualitative approach, 23 time-coded scenes were purposively selected from the film. All data were descriptively coded an...
Gender constitutes one of the most significant social and cultural categories through which human societies organize individual identities, relationships, responsibilities, privileges, and limitations. Although biological sex may provide the initial distinction between male and female, the meanings attached to feminini...
Bonam Anjaneyulu· THE PARADIGM CHRONICLE JOURN...· 0 citations
This qualitative feminist textual analysis of Guy de Maupassant’s “The Necklace” investigates how patriarchal gender roles, restrictive beauty standards, and marriage centered expectations shape the construction of femininity and constrain female agency. Through close reading of character portrayal, narrative voice, an...
Rogelyn G. Estelloso, Marijo D. Chua· International Journal of inn...· 0 citations
Arundhati Roy's The God of Small Things (1997) has attracted three fairly distinct strands of feminist and postcolonial criticism: readings that catalogue the forms of gender oppression the novel depicts, readings that foreground the intersection of gender with caste, and readings that foreground the intersection of ge...
V. M. Anusheya, R. Sumathi· Journal of Creative Research...· 0 citations
This study was motivated by the recognition that despite widespread critical celebration of both
productions as progressive representations of Nigerian womanhood, no systematic discourse
analytical investigation had been conducted into the specific linguistic and discursive mechanisms
through which their female prot...
Precious Ikpe· Research Journal of Humaniti...· 0 citations
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