Skip to content
Log in
Sponsored AI AM CLAUDE, A Beginner's Guide: Learn the basics of working with AI AI AM CLAUDE, A Beginner's Guide: Learn the basics of working with AI

Similar papers

Open access Sep 2026

Visual Symbols, Ethical Negotiation, and the Sovereignty of Memory: The Cinematic Representation of Christianity in Nanjing Massacre Films

This article examines the changing cinematic functions of Christian imagery, religiously inflected space, and theological language in films about the Nanjing Massacre. Missionaries, Christian schools, hospitals, and relief workers form part of the historical archive on which these films draw, but cinema reorganizes tha...

Xiao-Tong Wang, Cong-Ping Wang · 0 citations
Open access Sep 2026

Transnational Encounters in Peri-Brexit Cinema

Filmic representations of the transnational coupling US woman/English man, rife in Anglo-American cinema, tend to rely on commodified iterations of British and US-American identities, which are recognisable by audiences and adaptable to the transnational cultural market. This article explores representations of these “...

Sofía Martinicorena · 0 citations
Open access Sep 2026

BEYOND THE SCREEN: THE SUBALTERN LIBRARY OF NARRATIVES IN TAMIL CINEMA

This study conceptualizes contemporary Tamil cinema as a subaltern library, arguing that films can preserve, organize, and circulate lived experiences, cultural memories, and resistance narratives that are weakly represented in official historical records. Although scholarship has examined Tamil cinema through caste, i...

V. A., R. Subramani, M. Balasubramaniyan · 0 citations

Red Pills, Rambo Jesus, and Righteous Digital Soldiers: The Relationship Between Memes, Religion, and On-Screen Storytelling in QAnon Communities

This digital humanities dissertation examines how QAnon-related digital artifacts (particularly memes) draw upon and extend Christian nationalism through tropes, imagery, and narratives borrowed from both U.S. popular culture and North American evangelical Christianity. Through qualitative analysis of over 4,800 memes...

Heidi Ippolito · 0 citations
Open access Sep 2026

BETWEEN ART AND ABSENCE: SUBJECTIVITY, DESIRE, AND PSYCHIC FRAGMENTATION IN ANJUM HASAN'S THE COSMOPOLITANS (2016)

This paper explores Anjum Hasan’s The Cosmopolitans (2016) as a narrative that configures modern subjectivity via fragmentation, absence, and deferred desire. Transcending descriptive accounts, the paper underscores that these conditions are produced through narrative form and key moments within the text. Concentrating...

Shyamdev, N. Hooda · 0 citations
Open access Sep 2026

Technological artifacts and the negotiation of Kamikaze ideology in Godzilla Minus One

Background: Godzilla Minus One (2023) signals an important turning point in the cinematic representation of Japanese post war trauma, few academic studies have examined how specific visual artifacts function as rhetorical devices to challenge historical narratives. Purpose: This paper aims to investigate how visual rhe...

Rheihan Atridya Salinda, Dudi Rustandi, Dasrun Hidayat et al. · 0 citations

We use cookies to run the site and, with your consent, for analytics and to show ads. See our Cookie Policy.