Skip to content
Open access

2×6

Oct 2026 · 0 citations

TL;DR

Gender is the chief generative obstacle here—making more than two times six—distributed across the natural grammars of these micro- dramas, with their psychosocial, vocational, and hierarchical narrative vectors.

Abstract

2×6 consists of short “stanzories”—stanzas that are also stories, each one relating an encounter between two people. Appearing in English, French, Spanish, Russian, Japanese, and Polish, the stanzories are generated by a similar underlying process, even as they do not neatly correspond to one another the way a translation typically does to a source text. These sixfold verses are generated by six short computer programs, the code of which is also presented in full. These simple programs can endlessly churn out combinatorial lines that challenge readers to determine to whom “she” and “he,” and “him” and “her,” refer, as well as which is the more powerful signifier, which the underdog. As John Cayley writes, “Gender is the chief generative obstacle here—making more than two times six—distributed across the natural grammars of these micro- dramas, with their psychosocial, vocational, and hierarchical narrative vectors.” This title is a second edition of a book originally published by Les Figues Press, released as part of punctum’s Special Collections project.

Read PDF

Similar papers

Book 2016

Fixing Babel

We all think we know what a dictionary is for and how to use one, so most of us skip the first pages—the front matter—and go right to the words we wish to look up. Yet dictionary users have not always known how English “works” and my book reproduces and examines for the first time important texts in which seventeenth-...

Unknown authors · 0 citations
Conference Open access Oct 2026

The Polysemy of “Bias” in Contemporary English

In contemporary English, “bias” demonstrates several meanings that change with each register, as the same form of “bias” indicates different meanings. It is a social prejudice, a procedural ground to disqualify a judge, or a systematic error in research. Therefore, this study explores the distribution of these senses i...

Duc Huy Nguyen, N. Nguyen · 0 citations
Open access Aug 2026

A Computational Stylometric Analysis of AI-Generated and Human-Written Short Stories in the Psychological Genre

This study investigates whether the generative AI, especially, ChatGPT-4o can bring the same creativity as established American writer Karen Russell in short stories, particularly in psychological genre or not. For this purpose, two short stories of Karen Russell, “Reeling For The Empire” (2012), and the second story “...

Asad Ullah Maqsood, Bushra Shoukat · 0 citations
#artificial intelligence Preprint Oct 2026

Talking with Language Models

When we interact with large language models (LLMs), are we having a conversation? They are designed to invite us to treat them as intelligent interlocutors who remember, act, and make commitments. But appearances deceive. We introduce the artifactual stance, a framework that reconceives human-AI interaction as artifact...

James Ravi Kirkpatrick, Alexandru Radulescu, R. Sterken · 0 citations
Review Open access Sep 2026

Sperimentazioni retoriche dei Comici dell’Arte all’inizio del Seicento

This article offers a new interpretation of Tristano Martinelli’s Compositions de Rhétorique (1600-1601), one of the most emblematic books produced by Commedia dell’Arte actors. Martinelli, creator of the mask and stage persona of Harlequin, presented the unique volume – now held by the Bibliothèque nationale de France...

P. Bossier · 0 citations
Open access Sep 2026

குறுந்தொகைப் பாடல்களில் கவிதை மொழியும் அழகியலும்: மொழிக் கட்டமைப்பு, உளவியல் ஆழம், மௌனத்தின் அழகியல் — ஒரு விரிவாக்கப்பட்ட ஆய்வு

Kuruntokai, the second anthology among the Eight Anthologies (Ettuthokai) of Sangam literature, is a remarkable collection of short poems dealing exclusively with akam (interior/love) experience. Comprising roughly 401–402 poems ranging from two to ten lines, the anthology renders the subtle dimensions of human emotion...

தமிழரசி க · 0 citations

We use cookies to run the site and, with your consent, for analytics and to show ads. See our Cookie Policy.