Aug 2026· Jurnal Pelita Raya· Vol 2, pp. 66-83· 0 citations· 43 references
Abstract
Amid globalisation and digital transformation, Indonesia’s creative economy demonstrates that cultural nationalism no longer rests solely on formal national symbols, but is increasingly produced through creative practices that link cultural heritage, innovation, markets and technology. This study aims to analyse the creative economy as a new expression of cultural nationalism through a qualitative approach using an interpretative-critical case study design, employing interviews, observation, documentation and thematic analysis. The findings indicate that the creative economy is developing as a symbolic ecosystem that transforms local culture into representations of Indonesian identity through the hybridisation of local and global elements, digital circulation, cultural consumption, and the formation of soft power and cultural resilience. This process yields a form of nationalism that is more participatory, adaptive and distributed, arising from the interactions between creative practitioners, cultural communities, consumers, the state, the market and digital platforms. These findings expand our understanding of the creative economy from a sectoral paradigm towards a sphere of production that generates both economic value and national identity, whilst also revealing the risks of commodification, cultural simplification and the marginalisation of source communities. Consequently, Indonesia’s creative economy must be developed as a cultural strategy that integrates economic competitiveness with cultural justice, community protection, cultural resilience and digital sovereignty.
This study examines the role of the creative economy as a nation branding instrument for increasing the competitive advantage of Indonesia within the ASEAN countries. With regard to methodology, a qualitative descriptive research design was chosen based on library research, during which data were selectively collected...
Rara Gusnita Putri· International Journal of Kit...· 0 citations
Against the backdrop of globalisation, transnational education, the mobility of people and the rapid development of digital media, the concept of cultural exchange between China and the West has shifted from a binary opposition of ‘Chinese culture versus Western culture’ to an exploration of ‘how cultural meaning is pr...
Qiu-Mei Qu· Research Journal of Human an...· 0 citations
The reconfiguration of the global geopolitical order is broadening the meaning of national power beyond military and economic capabilities toward the capacity to generate attraction, credibility, cultural recognition, and durable international affinity. Against this background, cultural soft power has become increasing...
Hop Hop· Social Science and Human Res...· 0 citations
This article investigates the dynamic interplay between creativity and socialization as pivotal drivers of societal transformation in Nigeria. Drawing on recent empirical studies, policy analyses, and sectoral case studies from 2016 to 2026, the research examines how creative expression and socialization processes cont...
Mary Ajibuwa Oyedokun, Kenneth Aloaye Ighiere, Joy Nkechinyere Nnam-Obi· INT’L JOURNAL OF EDUCATION,...· 0 citations
Although globalization has created a platform where cultures meet, mix, and interact, the process of meaning-making as a byproduct of this mix have remained insufficiently theorized. In this dynamic, the interrelation of cultural hybridization, multiculturalism, and cosmopolitanism tends to pose advantages and disadvan...
L. Iseyen, Isidore A. Udoh, Kufre A. Akpan· The International Journal of...· 0 citations
This article examines the development of partnerships between universities and cultural and creative industries (CCIs) in countries of the Global South, with a focus on Brazil, South Africa, Nigeria, Kenya, Argentina, Malaysia, China, and Russia. The concept of the Global South used here is geopolitical rather than str...
R. Haines, L. Costa· Políticas Culturais em Revis...· 0 citations
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