Aug 2026· Science and innovation· Vol 5, pp. 82· 0 citations
Abstract
This qualitative study examines how folklorism functions in Dzhubatkan Muratbaev's historical novel Digiriq. Rather than attempting an exhaustive inventory of every folklore element in the novel, the study analyzes two representative passages: Sasik biy's appeal for political unity and the embedded legend of Korkyt Ata, Balgali Dawlen, and Karmakchi Ata. Drawing on Karakalpak scholarship on the relationship between folklore and written literature, as well as contemporary approaches to folklorism and cultural memory, the analysis combines close textual reading with folkloristic and structural-semantic interpretation. The findings show that Sasik biy is constructed through an epic-like model of the wise communal leader, whereas the Karmakchi Ata episode functions as an etiological naming legend shaped by mythopoetic motifs. In both cases, folklore is transformed into a narrative resource rather than inserted as decorative ethnographic material. It supports characterization, encodes communal ethics, preserves culturally meaningful memory, and mediates between historical narration and the people's remembered past. The study distinguishes literary historical memory from documentary historical verification and therefore does not claim to establish the factual accuracy of the legends represented in the novel. Its contribution lies in a focused functional analysis of how Muratbaev recontextualizes oral-traditional forms within Karakalpak historical prose.
Using Edward Said’s concepts of Orientalism, imaginative geography, and contrapuntal reading, this article examines how Susan Abulhawa’s Mornings in Jenin connects identity and memory to the politics of representation. Although previous scholarship has analyzed trauma, exile, national identity, memory, metaphor, and Pa...
Sabah Nouri, F. Amjad· Revista Cultura Científica· 0 citations
This paper conducts a Critical Literary Analysis of Namita Gokhale’s novel, Shakuntala: The Play of Memory, to deconstruct the mechanisms of patriarchal power embedded within the ancient Indian myth of Shakuntala and King Dushyanta. Utilizing Judith Butler’s core concepts of Gender Performativity and Iteration, the stu...
Arun Kumar A.M, P. Tamilarasan· World Journal of English Lan...· 0 citations
The piano preludes of Borys Lyatoshynsky (1895–1968)—the Three Preludes, Op. 38, the Two Preludes Based on the Melodies of Ukrainian Folk Songs, Op. 38bis, and the Five Preludes, Op. 44, all composed during the 1942–43 wartime evacuation—have re-entered Western concert life as vehicles of Ukrainian identity. This artic...
Anastasiia Chirileanu, Tatiana Laura Pocinoc· Arts· 0 citations
This article explores the thematic and symbolic meaning of naming in two literary works that explore the intricacies of cultural identity, intergenerational conflict, and diaspora: Jhumpa Lahiri's The Namesake and Ariel Sabar's My Father's Paradise. In both works, names function not merely as identifiers, but as dynam...
Dilbireen A. Ali, Gharbi M. Mustafa· Koya University Journal of H...· 0 citations
This article examines how selected Uzbek folk rituals use verbal forms to organize relationships among participants, natural forces, material objects, and socially significant transitions. The study focuses on four ritual complexes: the rain-making ceremony Sust Xotin, the wind-stopping ceremony Choymomo, the wedding g...
This article examines the construction of Kartini's heroism in three Indonesian historical biopics: R.A. Kartini (1982), Surat Cinta untuk Kartini (2016), and Kartini (2017). It departs from the premise that historical films do not merely reproduce the past, but reorganize collective memory through selection, dramatiza...