The study aims to establish a theoretical and methodological framework for the eco-design of net-zero carbon creative spaces, wherein the utilitarian tasks of decarbonization are organically integrated with autonomous artistic practice and a new aesthetics of spatial design. The paper examines the architectural-artistic, technological, and economic aspects of modernizing the infrastructure of creative industries based on the principles of adaptive reuse of industrial heritage, the integration of renewable energy systems, the implementation of biophilic design, and methods of circular scenography. The primary result of the study is the substantiation of the status of eco-design as an autonomous artistic practice within art historical discourse, where environmentally driven decisions serve as a full-fledged toolkit for constructing spatial semantics and plastic language. Furthermore, the research systematizes advanced architectural and technological methods for organizing carbon-neutral art venues and constructs a comparative matrix of traditional and Net Zero approaches. Based on the findings, a series of applied institutional recommendations for the cultural sector of the Russian Federation is developed, featuring the concept of a national certification standard “Eco-Art-Space”, a proposal to integrate environmental sustainability criteria into the grant support system, and a framework for creating autonomous, energy-positive art residencies within depressed regional industrial territories.
The intensification of ecological crises, resource scarcity, and social inequalities compels design to fundamentally redefine its role, methods, and criteria for innovation. This article argues that innovation in design can no longer be understood as the mere creation of new artifacts, but rather as the capacity to rec...
C. Carreto, R. Carreto· AHFE International· 0 citations
This thesis investigates the application of a sustainable aesthetics framework within contemporary architectural practice in New Zealand. It argues that sustainable paradigms driven by environmental performance standards and technical metrics are insufficient for producing architecture that endures. At the same time, t...
The global climate crisis phenomenon has driven the transformation of the ecological function of forests into economic commodities through a carbon exchange mechanism that presents a paradoxical condition between nature conservation efforts and the demands of polluting industrial growth within the framework of sustaina...
Taufan Hidayatullah· Proceeding of International...· 0 citations
The interior design and architectural industries are undergoing an unprecedented socio-technological transformation driven by climate urgency, resource scarcity, and evolving paradigms of occupant well-being. Historically reliant on static, linear, and extractive material choices, the discipline is shifting toward the...
Dr Sandeep Sachan· Frontiers in Social Sciences...· 0 citations
The fashion industry is currently shifting from a linear "take-make-waste" model to a restorative circular economy, and although the techno-centric recycling approach to industrial circularity has been the subject of much discussion, indigenous craft systems provide a previously unexplored, time-tested example of a loc...
Aditi Badola, Neha Singh, Mukti Bhatnagar et al.· Advanced International Journ...· 0 citations
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