This work identifies a critical structural gap in current multimodal evaluation paradigms, arguing that the reliance on Large Vision-Language Models (LVLMs) as judges is fundamentally limited by architectural biases, and challenges the multimedia community to move beyond snapshot-centric metrics and instead pioneer Temporally-Aware Evaluation paradigms that treat visual sequences as unified logical structures rather than unordered collections of frames.
Abstract
As generative multimedia evolves from static image synthesis to complex, interleaved visual narratives, a foundational bottleneck has emerged: the judgment crisis. While human perception naturally synthesizes the temporal and logical flow of a story, automated evaluation systems remain largely"blind"to sequential continuity, often failing to distinguish between a coherent narrative and a semantically shuffled or contradictory sequence. This work identifies a critical structural gap in current multimodal evaluation paradigms, arguing that the reliance on Large Vision-Language Models (LVLMs) as judges is fundamentally limited by architectural biases. Our analysis reveals a profound performance dichotomy: while models may appear competent in isolated pointwise scoring, they suffer a catastrophic collapse when required to perform pairwise discrimination of temporal order. We demonstrate that this is not merely a data-scarcity issue but a structural one. Through a series of diagnostic probes, we uncover systematic positional asymmetries, specifically primacy and recency effects, where a model's judgment of a story is significantly influenced by the placement of a frame, often more than by its semantic consistency. These biases, potentially rooted in causal masking and rotary embeddings, suggest that current transformer-based judges are inherently ill-equipped for long-form visual reasoning. By exposing these blind spots, we challenge the multimedia community to move beyond snapshot-centric metrics and instead pioneer Temporally-Aware Evaluation paradigms that treat visual sequences as unified logical structures rather than unordered collections of frames.
This article argues that the difficulty of video-language systems is structural rather than one of capacity, and proposes a framework that separates temporal coherence into four levels, covering perceptual continuity, event segmentation, entity persistence and causal narrative structure.
T. S. M M· Eduschool Journal of Artific...· 0 citations
It is argued that structural ignorance of the future transforms hallucinations into interpretive probes of nineteenth-century ontologies, and TimeCapsule, a 1.2B-parameter LLaMA-style causal model trained exclusively on Victorian texts, is presented as an epistemologically isolated generative archive.
As audio-visual generative models evolve into world simulators, cross-modal synchronization stands as a critical proxy for assessing the consistency of world dynamics and causality in generated content. However, existing evaluation metrics presume structural correctness, reducing synchronization to mere temporal alignm...
Yi-Jie Qian, Juncheng Wang, Chao Xu et al.· 0 citations
Imag-Eval is introduced, a controlled benchmark designed to assess how T2I models ground compositional natural-language instructions into visual outputs and suggests that, for structured skills, compositional difficulty is primarily governed by the number of grounded rules and their binding to instances, rather than by...
How does language mediate visual meaning in AI image generation? This article theorizes AI image generation as mediated through three successive linguistic nets that together constitute a new epistemic order of the visual. Building on Vilém Flusser’s media philosophy, we assume that the translation of written langu...
Norma Musih, Eran Fisher· AI & SOCIETY· 0 citations
This work proposes ChronoVision, a multimodal framework designed to align visual logic with latent imagery, and introduces Vbvr-VQA, a novel dataset that evaluates temporal tracking by reformulating video reasoning into a strict image-ordering task.
Yi-Fan Shen, Jian Xu, Boyi Li et al.· 1 citation
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