Jul 2026· Television & New Media· 0 citations· 14 references
Abstract
Streaming has transformed the landscape of screen production since Netflix launched its video-on-demand service in 2007 and later moved into commissioning content. Rather than treating streaming as a universal industrial logic, this special issue foregrounds the contextually-bound practices, infrastructures, and technologies that condition the creative labor behind these productions. “Streaming production cultures” emerges as a subfield within production studies that deserves scholarly attention, and the featured articles surface empirical findings that help demarcate the debates fueling this area of inquiry. Despite challenges in accessing streaming production networks, we argue for a bottom-up approach that attends to the lived experiences of workers in the online screen industry. The contributions apply this lens to a range of production cultures, spanning diverse media services that operate at national, regional, and global scales. As such, this special issue provides a kaleidoscope of streaming production research in order to advance this critical field.
This study explores how Netflix has transformed traditional genres of South Korean television dramas, commonly known as K-dramas. The growing presence of Netflix has disrupted established production and distribution mechanisms, prompting local stakeholders to adapt to compete more effectively on a global scale. Intervi...
Taeyoung Kim· Television & New Media· 0 citations
This study shows AI enables a cohort of “Internet entrepreneurs” to enter cultural production, driven by a “money hustling culture” that encourages formerly idle and low-skilled individuals to pursue rapid monetisation.
Jiaru Tang, Xiaoting Yu, Patrik Wikström et al.· AI & SOCIETY· 0 citations
The rapid diffusion of digital technologies has reshaped how music is created, taught, distributed and performed, altering the working conditions of instrumental musicians across both the Global North and the Global South. This article examines how these transformations affect live music performance and the livelihoods...
Thulani G. Zulu· Journal of Science, Innovati...· 0 citations
This poster outlines the onboarding tactics theatre-makers deploy in digital sites (i.e., social media platforms, video games), claiming that, as the first point of entry for digital audiences, onboarding is necessary for effective audience engagement.
Emma Dorfman, Melissa Terras, E. Gledhill et al.· Creativity & Cognition· 0 citations
An ecosystem model of platformized audiobook culture is proposed to support future theoretical and empirical research and distinguishes platformized audiobook culture from digital audiobook culture through two complementary analytical perspectives adapted from book studies, digital publishing, and media and communicati...
Sven Stollfuß· New Media & Society· 0 citations
This article recovers a largely undocumented history: the DIY fanzine culture of 1970s Japan and its foundational role in shaping Japanese popular media. Drawing on archival research, primary sources, and oral history interviews with key participants, it argues that amateur cultural production in this period was cons...
A. Longo· Journal of Consumer Culture· 0 citations
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