Skip to content
Review Open access

Beyond the Prompt: Rethinking Authorship and Originality in AI-Assisted Graphic Design

Aug 2026 · American Journal of Art and Design · 0 citations · 16 references

TL;DR

The paper concludes by using the existing control-based legal scholarship to develop a multi-dimensional framework which can be used by practitioners, educators, and reviewers to describe GenAI-assisted works.

Abstract

Only several years after their introduction, generative AI-based image generation tools like Midjourney, DALL-E, or Stable Diffusion became an integral component in the routine design process of graphic designers, raising anew an age-old question: who authors a graphic work, and what is its originality? This paper is a conceptual and critical synthesis of relevant literature rather than an empirical study. No original data collection was conducted here; the paper synthesizes legal cases, guidelines, scholarship produced by practitioners and in design education, and experimental research on generative model biases in order to trace how GenAI is altering the understanding of authorship and originality in graphic design through copyright law, professional practices, visual aesthetics, and design education. GenAI does not render human authorship irrelevant, as was claimed by many in the early discussion of the topic. Rather, it becomes relative depending on how specific the human input in terms of creative direction is, how deep the post-generation editing is and how effectively a designer is able to justify the design choices. Copyright law authorities in the US, UK, and EU reach the consensus on the principle of protecting only works created with demonstrable human authorial input; however, each one uses its own criteria to measure this input. According to practitioner research, the function of designers changes from the creator of visuals to curators and editors of the machine output. On the other hand, experimental research of generative models demonstrates homogenization of styles and representational bias inherited from training data, but also improvements in efficiency and positive evaluation by audiences of GenAI-assisted graphics. The field where these issues are addressed is design education. The paper concludes by using the existing control-based legal scholarship to develop a multi-dimensional framework which can be used by practitioners, educators, and reviewers to describe GenAI-assisted works.

Read PDF

Similar papers

Open access Jul 2026

The Ghost in the Machine: AI-Generated Literature and the Reconfiguration of Creative Authenticity

This paper argues that AI-generated literature does not so much destroy literary authenticity as force a reconfiguration of what the term has always meant, and concludes that a more defensible, procedural model of authenticity is emerging  one grounded in disclosed, traceable human judgment rather than the simple fact...

Shipra Malik · 0 citations
Review Open access Aug 2026

Between the Canvas and the Algorithm: How Generative AI Is Reshaping Artistic Identity Among Fine Arts Students in Pakistan

This qualitative study examines how emerging Fine Arts practitioners in Pakistan interpret the growing presence of generative artificial intelligence (AI) in creative practice and how that encounter relates to artistic identity, originality, authorship, emotional response, career expectations, and educational preparati...

Ateeq ur Rehman, Saba Hisham, Humaira Kanwal · 0 citations
Review Open access Aug 2026

Narratives generated by artificial intelligence: an ethical reflection on screenwriting in contemporary cinema

The increasing use of artificial intelligence (AI) systems in the writing of film scripts raises ethical questions relevant to contemporary cultural creation. This article analyzes these implications based on a critical review of academic literature, international regulatory frameworks, and analysis of three cases li...

M. Jurado-Martín, C. López-Rico, María Samper Cerdán · 0 citations
Open access Aug 2026

How Creative Is AI Writing? Generative and Collaborative AI in Japanese Fiction

This study examines readers’ perception of quality and originality in AI-generated and human–AI collaborated Japanese literary fiction. Fifty-eight participants with backgrounds in creative writing ranked the endings of 25 stories across four conditions. In all cases, the first half of each story was authored by profes...

Yuki Asano, Marco T. Bastos · 0 citations
Review Open access Aug 2026

From the Darkroom to the Algorithm: A Critical Review of Creative Concepts in Post-photographic Image Engineering

Photographic practice has been reorganised twice within a single generation. The first reorganisation replaced chemical development with electronic sensing and file-based editing; the second replaced single-exposure capture with multi-frame estimation, learned reconstruction and, most recently, with generative synthesi...

Tong Xiao · 0 citations
Open access Jul 2026

Algorithms and Aesthetics: Reimagining Kalidasa and Spenser through Human-Machine Interaction

This paper charts a landscape of transformation in the field of literature and language studies as they confront the advancements of Human-Machine Interaction (HMI) and Artificial Intelligence (AI) in the digital age. This paper, through discussions and examination of the field of digital humanities, and an exploration...

Pritilogna S. Mahakud · 0 citations

We use cookies to run the site and, with your consent, for analytics and to show ads. See our Cookie Policy.