Skip to content
Conference Open access

Fabergé Jewelry as Digital Art Objects: Transformation of Elite Codes in the Culture of the Contemporary World

2026 · Proceedings of the 5th International Conference Modern Culture and Communication (MCC-2025) · pp. 304-310 · 0 citations

TL;DR

The study offers a comprehensive look at the intersection of digital technologies and cultural heritage, considering generative neural networks, NFT collections, and 3D printing as new ways to interact with traditional forms of art and culture.

Abstract

Faberge jewelry, recognized as symbols of exceptional craftsmanship, luxury and cultural significance, is currently undergoing a transformation process in the context of the rapid development of digital technologies of the 21st century. The focus of this work is to explore how modern tools such as neural networks and virtual reality affect the perception, interpretation, and preservation of Faberge’s cultural heritage. Special emphasis is placed on considering generative neural networks, NFT collections, and 3D printing as new ways to interact with traditional forms of art and culture. The visual images created as part of the “Your Family Faberge” project are inspired by historical works and adapted to the user’s personal or family context. This phenomenon demonstrates how artificial intelligence can act not only as a visualization tool, but also as an interpreter of cultural codes. The paper examines changes in museum practices, as well as new forms of ownership and collecting, including NFT objects. Special attention is paid to philosophical and aesthetic issues.: how do digital media influence the perception of traditional art, is it possible to preserve authenticity in a digital environment, and how is cultural memory being reinterpreted. Thus, the study offers a comprehensive look at the intersection of digital technologies and cultural heritage.

Read PDF

Similar papers

Open access Sep 2026

The Representation of National Identity Through Contemporary Art and Design in a Globalized World

The research intended to reveal the possibility of manifesting collective cultural belonging in contemporary creative practices at a time of intensified flows of images, symbols, and artistic forms between global cultural spaces. It was carried out in 2025-2026 as an empirical qualitative inquiry based on 60 publicly a...

Ihor Yurchenko, M. Kravchenko, K. Kharitontsev et al. · 0 citations
Open access Oct 2026

Re-encoding Tradition: Semiotic Strategies of Contemporary Chinese Art

In the context of the mutual influence of global artistic trends and national cultural strategies, contemporary Chinese art undergoes a significant transformation of creative paradigms. It consistently departs from both direct borrowing of Western models and formal reproduction of traditional aesthetic canons, striving...

Rui Chen · 0 citations
Open access Sep 2026

Artistic Practices as a Mode of Self-Expression: Tradition, Innovation and Personalisation under Globalisation

Contemporary artists work within conditions in which the international circulation of images, visual languages, and artistic concepts both expands the field of creative references and complicates the search for a distinct artistic voice. This paper presents an analysis of how young Ukrainian artists negotiate these com...

S. Oborska, O. Briantsev, H. Briantseva et al. · 0 citations
Open access Sep 2026

Crafting Chinese Cultural Identity: The Role of Traditional Artisans in George Town World Heritage Site

George Town, Malaysia, a UNESCO World Heritage Site, is often discussed through its architectural legacy and histories of trade and migration. Drawing on ethnographic fieldwork among Chinese artisans, this study examines how cultural identities are produced through everyday craft practice in the context of urban transf...

Niao Xu, N. Bakhir · 0 citations
Open access Aug 2026

Artistic and Industrial Art of Ukraine in Modern Textile and Embroidery Art Practices

The article is devoted to the artistic and industrial art of Ukraine in the context of modern textile and embroidery art practices. In the period of global changes, textiles cease to be only an element of folk tradition. They become an active medium of cultural memory, identity, as well as artistic reflection. The purp...

A. Diachenko, R. Pylyp, Valentyna Kostiukova et al. · 0 citations
Aug 2026

Reinterpretation of Kütahya Ceramics in Contemporary Applied Art

The paper explores the stylistic characteristics of Armenian decorative applied art in Kütahya, focusing particularly on high-value specimens of faience and ceramic craftsmanship. The religious, moral-didactic, and at times playful or narrative iconography of Kütahya’s applied art reflects the profound cultural express...

Meri Avetisyan, Anahit Grigoryan · 0 citations

We use cookies to run the site and, with your consent, for analytics and to show ads. See our Cookie Policy.