Jul 2026· The International Journal of Critical Cultural Studies· 0 citations
Abstract
War-induced migration has made people leave their homeland, searching for a haven, grappling with their identity and culture. The tribulations and plights of individuals and communities moving across various geographical spaces are vividly portrayed through literature, films, and other artistic media. For centuries, wars have made indelible impacts on Afghanistan, shaping the Afghan livelihoods, culture, and history. The country slipped into its dark age when the Taliban swept to power, and its social, cultural, and economic well-being was at stake. Marc Forster directed the movie The Kite Runner, which delves deep into the social, ethnic, and political background of Afghanistan through the themes of power and resistance. The protagonist, Amir, is consumed by a feeling of moral culpability for not supporting his friend Hassan during a crisis. This study analyzes the character Amir, who is driven by guilt and shame, and experiences personal growth and positive psychological change following a traumatic event. The accumulated trauma allows Amir to resist the power dynamics of his country, thereby attaining redemption for his past inaction. This study delineates how Amir’s moral redemption can be viewed as a form of resistance against the oppressive social forces, which will be further analyzed under the theoretical framework of trauma theory and post-traumatic growth. The depiction of power and resistance in movies aids in a better understanding of the complex realities of different communities amidst the war.
Gabriela Merida, a doctoral student at the University of Albany and a child of Guatemalan Maya refugees, interviews her grandmother and father about their lives in Guatemala and their subsequent experiences as migrants in the United States. Through life history interviews with each of them, Merida examines how foreign...
At the height of the second Trump presidency, the elaboration of violence in Latiné/x immigrant communities has taken a familiar discursive shape: as disappearance. The enforced disappearance, a name for the arrest, detention, and abduction of persons, followed by denial of the act(s), has been leveled against numerous...
This paper explores how displaced Maya Peoples are working toward justice and resurgence amid increasing government persecution in the United States. The authors facilitated multi-year Critical Participatory Action Research with communities living in northeast Ohio, United States, where a large diaspora of Maya people...
Robin Chancer, Gerónimo Ramírez, Ernesto Ajanel Calel et al.· American Journal of Communit...· 0 citations
This study examines the representation of mourning as a form of political resistance in Dust by Yvonne Adhiambo Owuor. Moving beyond the conventional perception of grief as a private emotional experience, the novel reconfigures mourning as a collective, historical, and political act deeply embedded in Kenya’s postcolon...
During World War
I
, most of the male population in Lebanon was mobilized and conscripted into military service (known as the Sefer Barlik). As a result, women and children bore the brunt of the suffering. Women, in particular, became victims of multiple crises: the ruthless greed of wealthy merchants, the naval...
Malek Abisaab· Contemporary Arab Affairs· 0 citations
In recent times, migration has become a postcolonial leitmotif due to the unsettling and
unnerving sociopolitical and economic snares ravaging African postcolonies. On a daily basis,
Africans are forced to flee in droves from their homelands to the West in search of safety and
security. On getting to the West, African...
Osieka Osinimu Alao, Munkaila Aliyu· International Journal of Lan...· 0 citations
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