Skip to content
Open access

NARRATIVE STRATEGY AND INTERIOR MONOLOGUE IN J. D. SALINGER’S NOVEL “THE CATCHER IN THE RYE”

Aug 2026 · Opera in linguistica ukrainiana · 0 citations

Abstract

The article presents an extended analysis of the narrative strategy and the functioning of the interior monologue in J. D. Salinger’s novel “The Catcher in the Rye”, one of the key works of twentieth-century American literature. The study focuses on the specific features of the artistic organization of narration, the peculiarities of first-person narrative, and the role of the interior monologue as a leading means of revealing the psychological state of the protagonist, Holden Caulfield. It is established that the author employs a subjective form of narration that creates an effect of immediacy, emotional openness, and maximum proximity of the reader to the character’s inner world. The linguistic and stylistic features of the narrative are analyzed, including the active use of colloquial vocabulary, repetitions, emotionally colored expressions, fragmented syntactic structures, and internal remarks that reproduce the natural flow of the protagonist’s thoughts. It is demonstrated that the interior monologue in the novel performs not only a psychological but also a structural function, as it organizes the composition of the narrative and forms the integral image of the narrator. Such a type of narration allows the author to convey the complex process of the character’s self-reflection, his critical attitude toward social reality, his rejection of the hypocrisy of the adult world, and his painful experience of loneliness. Particular attention is paid to the interaction between narrative perspective and the protagonist’s internal conflict, which is manifested in the constant tension between the desire for sincere human relationships and alienation from society. It is established that Holden Caulfield’s interior monologue reflects the identity crisis typical of adolescence, an intensified sense of injustice, and a desire to preserve moral purity in a world the protagonist perceives as false and hypocritical. In this context, the narrative strategy of the novel contributes to a profound psychological depiction of the character while simultaneously representing broader sociocultural problems of the postwar generation. The study concludes that the combination of first-person narration with elements of interior monologue ensures the artistic integrity of the work and creates the effect of maximum psychological authenticity. Owing to this narrative organization, the image of Holden Caulfield acquires a generalized meaning and emerges as a symbol of a generation experiencing moral search, spiritual uncertainty, and a reassessment of life values. Thus, the narrative strategy of J. D. Salinger’s novel plays a decisive role in shaping its artistic structure and provides a deep representation of the existential issues addressed in the work.

Read PDF

Similar papers

Review Open access Aug 2026

“All Along the Watchtower(s)”: Reimagining the Prophetic and the Apocalyptic in Bob Dylan’s Lyrics

The article presents an overview and analysis of the connections between one of the most famous lyrics by Bob Dylan, “All Along the Watchtower” (1967) and a constellation of passages in the Bible. Employing a functionally simplified notion of intertextuality as the operational methodology, these links are demonstrated...

Jakub Antosz-Rekucki · 0 citations
Open access 2026

The Style of the Opening of the Judean Novella

This article explores the literary style of the openings of three Judean novellas, Ruth, Esther, and Jonah, eliciting the different narrative techniques used to provide story background and shape audience expectation. First, using narratology, I identify a distinctive style of brisk, action-oriented narration which bui...

J. Cross · 0 citations
Open access Jul 2026

REFLECTIONS ON THE SUBJECT-OTHER RELATIONSHIP IN ROBBE-GRILLET'S EARLY NOVELS: A STUDY THROUGH KEY SIGNIFIERS

As a representative writer of the French nouveau roman, Alain Robbe-Grillet in his early works focused on the core issue in post-war French intellectual circles--the relationship between the subject and the other. To explore how his novels rethink this relationship, this paper takes key signifiers as the entry point an...

Wang Yang · 0 citations
Open access Sep 2026

The Ornamental Myth: Narrative Form, Temporal Asymmetry, and the Undoing of the “Successful Immigrant” Arc in Contemporary Asian American Women’s Memoir

This article introduces the “ornamental myth” as a narrative-formal heuristic for analyzing how the “successful immigrant” story is structured, aestheticized, and consumed in contemporary Asian American women’s memoir. Taking Anne Anlin Cheng’s Ornamentalism as a conceptual point of departure, I use the term to identif...

Yu-Shang Ni · 0 citations
Open access Aug 2026

Typology of the oppositionist in the Russian drama of the 19th century: Chatsky – Samozvanets – Zhadov

The purpose of this article is to provide an updated assessment of the hero-reasoner and oppositionist of the Russian drama of the 19th century. To this end, three vivid and evolutionarily significant images are examined, taken in terms of their ideological content and poetics: Chatsky (Woe from Wit by A. S. Griboyedov...

S. A. Kolesnikova · 0 citations
Open access Sep 2026

Monstrosity and the Boundaries of Humanity in Gothic Literature: A Critical Study of Frankenstein

This qualitative study critically examines monstrosity and the boundaries of humanity in Mary Shelley’s Frankenstein; or, The Modern Prometheus, focusing on how the novel constructs, challenges, and transforms the concept of the monstrous. The study adopts a qualitative research approach and employs a descriptive-inter...

Alia Akram, Sadia Nazir, Marryam Tahir · 0 citations

We use cookies to run the site and, with your consent, for analytics and to show ads. See our Cookie Policy.