Caste continues to be a disabling material reality in India. It is perpetuated through ‘private’ formations like the ‘family’ as also through other more public “sites of sanskritization” (Rege, 333). Academia plays a foundational role in establishing and perpetuating caste structures. This is achieved through the teacher’s disciplinary authority as well as the syllabi’s disciplinary ‘demands’. This paper attempts to examine how M.M. Vinodini’s “The Parable of the Lost Daughter” claims for itself a space that has either been denied to Dalit writers or been usurped by non-Dalit ‘progressive’ writers. It reminds the reader how caste violence has not abated in a globalized world but has mutated into a treacherous social praxis. The paper also engages with the crucial connection between caste and gender. The paper examines whether the violence of the Brahmin father and the son-in-law towards women of other castes and of their own sparks a feminist continuum or if caste trumps any real or imagined solidarity between victims of Brahmin patriarchy.
The study set out to discuss Lola, Tanyi Ntang and Afuh as pro-feminist writers, intended to dismantle patriarchy in The Lock On My Lips. Ewa and Other Plays, and in Born before Her Time. It starts with the assumption that gender is an ideological construction and that the marginal place which society reserves for wome...
Evaristus Mbuen Ndong, Erika Ndunela'a, Ndong, Xaverie Mamafombang Ngwana· International journal of re...· 0 citations
Patriarchy is a system created with and historical background in which men hold primary power both in the family and public domain. This system paves way to women’s oppression and subjugation. In the family the father figure holds authority over women, girl children and powerless men. Within this patriarchal setup wome...
S. Christa, M. Rajaram· Genetics and Molecular Resea...· 0 citations
Nadia Hashimi’s The Pearl That Broke Its Shell (2014) presents an insight into the relationships between gender, patriarchy, and the perception of women’s selfhood in Afghan society. The purpose of this paper is to discuss how the protagonist Rahima and her great-great-grandmother Shekiba experience the restrictions of...
S. S. Kumar, S. Ahamed· Bodhi international journal...· 0 citations
Abstract
This article offers a postcolonial feminist reading of Nawal El Saadawi’s Woman at Point Zero, examining the interconnected experiences of patriarchal abandonment, gendered violence, economic vulnerability, cultural expectation, and women’s survival. Although existing scholarship has examined the novel through...
Kedze Marcevinus Akah· International journal of res...· 0 citations
Sudha Murty’s Gently Falls the Bakula (2008) has generally been received as domestic fiction concerned with marital estrangement. This article contends that the novel performs a sustained critique of the patriarchal and heteronormative structures that govern middle-class Indian conjugality in the late twentieth century...
Juby Cheruvathoor· International Journal of Eng...· 0 citations
The Nigerian film industry, Nollywood, has become a constitutive locus for the (re)construction and contestation of gender identities. Through the combined frameworks of embodiment theory and African radical feminist thought, this study examines the Yoruba Nollywood film
Ikú l’Obìnrin
(literally ‘Women are death’)....
Omotayo Jemiluyi· Journal of African Cinemas· 0 citations
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