Resistance has long been a fundamental aspect of human social existence, entwined with power dynamics and struggles for domination. While the concept of resistance is a relatively new focus in International Relations theories, its roots stretch deep into history, evolving and resurfacing in response to political and societal oppression. This article explores resistance as both an ideological stance and tactical repudiation of domination, focusing on its expression in Persian literature, particularly the works of renowned poet Forugh Farrokhzād. By examining two of her lesser-studied poems, Ey Marz-e Porgohar (‘O Bejeweled Land!’) and Aftāb Mishavad (‘The Sun Shall Shine’), through a non-structural gender lens, this study highlights how Farrokhzād's poetry challenges not only patriarchal norms but also broader political and societal power structures. The article situates Farrokhzād within the socio-political context of mid-20th-century Iran, where her defiance against gendered oppression and political repression marked her as a pioneering figure in literary resistance. It also explores the broader tradition of resistance in Persian literature, showing how poetry has historically functioned as a form of expression and agent of social change. Ultimately, the article underscores the significance of literary works like Farrokhzād’s in shaping political discourse, fostering dissent, and advancing struggles for autonomy.
With the transition to multiracial democracy in 1994, South Africans, especially non-whites, had looked forward to a new era of social equality, economic justice, and political liberation. This sensibility gave birth to what a critic once described as a “honeymoon literature” in the country. Not long after the emergenc...
Kazeem Adebiyi-Adelabu· International Journal of Art...· 0 citations
World literature often embraces literary works that narrate diverse human experiences that transgress the boundaries of nations throughout the globe and enhance cross-cultural understanding. It challenges the dominance of Eurocentric canons and provides space for marginalised literature that largely focuses on identity...
Suvarna Dhule, G. Khobragade· Advanced International Journ...· 0 citations
This research analyzes Hanif Qureshi’s Red Birds from the perspective of Postcolonial literary Resistance. It utilizes theoretical framework of Edward Said’s Orientalism and Antonio Gramsci’s theory of hegemony. Said is highly critical of the Eurocentric notions of the western world for such no...
Kanwal Shehzadi, Sadia Nazir, Zartashia Hanif· Journal of Arts and Linguist...· 0 citations
Abstract:This article examines the life and poetry of No Ch’ŏnmyŏng (1912–1957), Korea’s first widely recognized female modernist poet, through the lens of celibacy and feminine solitude. While critics and readers have long celebrated No for her lyrical restraint of emotion, she has also been subject to social derision...
This study examines the representation of mourning as a form of political resistance in Dust by Yvonne Adhiambo Owuor. Moving beyond the conventional perception of grief as a private emotional experience, the novel reconfigures mourning as a collective, historical, and political act deeply embedded in Kenya’s postcolon...