The Large Processing Model is presented, a diffusion-based generative framework for photorealistic video restoration under complex, in-the-wild degradations, demonstrating that generative restoration can be practical, scalable, and cost-effective for large-scale video processing.
Abstract
We present the Large Processing Model (LPM), a diffusion-based generative framework for photorealistic video restoration under complex, in-the-wild degradations. To our knowledge, LPM is the first generative video restoration model deployed at industrial scale. LPM addresses the diverse degradations in user-generated content (UGC) through a unified system encompassing large-scale data engineering, foundation-model training, and efficient inference. Its enhanced architecture, progressive training strategy, and temporal-pyramid inference mechanism jointly enable high-fidelity, temporally consistent restoration of arbitrarily long videos across the broad content distribution encountered on UGC platforms. LPM has been deployed in production at Kuaishou, where videos processed by the model account for approximately 45% of total viewing time, delivering consistent improvements across key quality-of-experience metrics. Beyond perceptual enhancement, LPM delivers substantial system-level benefits: at comparable perceptual quality, it reduces bitrate by 20% relative to Kuaishou's in-house codec, yielding annual bandwidth cost savings on the order of hundreds of millions. Its low serving cost also enables integration into products such as Kling, demonstrating that generative restoration can be practical, scalable, and cost-effective for large-scale video processing.
Recovering dynamic environment maps from a single in-the-wild video is crucial for photorealistic rendering, yet remains a challenge. Recent video generation models can produce photorealistic scenes with complex lighting, possessing an inherent understanding of lighting. In this paper, we introduce V-LITE (Video generation models are inherent lighting estimators), a framework that unlocks this internal knowledge by reframing lighting estimation as a guided video inpainting task. Inspired by VFX industry practices, we insert a synthetic chrome ball into the scene to compel the model to generate physically plausible reflections from the surrounding spatio-temporal context. To bridge the gap from LDR-native models to the HDR domain, we design an HDR-aware VAE and employ an efficient LoRA-based fine-tuning strategy. We then construct a mixed dataset comprising high-fidelity HDR images to provide realistic HDR priors, and in-the-wild HDR videos to provide dynamic spatio-temporal context. Extensive experiments demonstrate that V-LITE produces temporally coherent HDR environment maps, revealing that modern video diffusion models are not merely synthesizers but also powerful, inherently capable estimators of physical scene lighting.
Ziqi Cai, Shuchen Weng, Kaiqi Liu et al.· 0 citations
This work introduces SANA-Video 2.0, a hybrid video diffusion transformer instantiated at 5B and 14B scales under a unified architecture that recovers softmax-level expressiveness at substantially reduced cost, unlocking scalable long, high resolution video generation.
Junsong Chen, Jincheng Yu, Yitong Li et al.· 0 citations
Historical films suffer from co-occurring visual and audio degradations---blur, noise, flicker, hiss, clipping, and dropout---yet existing methods restore each modality independently, leaving quality gaps and cross-modal inconsistency. We present OmniVR, the first joint audio-video generative restoration model. Built upon a 22B-parameter audio-video generation backbone, OmniVR formulates restoration as conditional generation within a unified multimodal DiT: the low-quality video and audio are encoded as latent conditions, combined with a fixed restoration prompt, and jointly denoised to recover visual structure, temporal motion, and acoustic detail under one coordinated objective. Three key designs enable this adaptation: (1) a joint audio-video degradation pipeline that simulates real old-film characteristics from Internet-collected data; (2) an architecture-preserving text-to-audio-video (T2AV) to audio-video-to-audio-video (AV2AV) transition with prompt annealing that maximally retains the generative prior; and (3) first-frame image-to-video (I2V) anchoring with loss reweighting and waveform supervision for long-video extrapolation and audio fidelity. We also propose OmniVRBench, the first benchmark that evaluates audio-video restoration across visual quality, audio quality, temporal consistency, and audio-visual synchrony on 200 real historical clips. OmniVR surpasses all prior methods on all six visual metrics, achieves the best audio quality, and produces natural colorization---the first method to jointly address all three aspects. Code and weights will be publicly released. Project Page: https://xin1u.github.io/OminiVR_PAGE/
Xin Lu, Zihao Fan, Mingchen Zhong et al.· 1 citation
High-Compression videos suffer from severe distortions, among which degradation in person regions has the greatest impact on viewers’ immersive experience. Existing quality enhancement techniques usually focus on overall image denoising or super-resolution, often overlooking the crucial recovery of fine structures in these essential person regions. To address these challenges, the research introduces a novel framework titled Person Region Restoration Driven by Perceptual Fidelity (PRRDPF), which combines long-range dependency features with perceptual structure loss for enhanced generative restoration. Specifically, first, the research constructs a high-fidelity distorted person-region dataset via a closed-loop degradation pipeline, addressing the lack of paired datasets. Secondly, a Temporal Gated Fusion (TGF) block is designed to use gated convolutions for selectively recovering high-frequency features while capturing local and global dependencies. Finally, a Structural Similarity Index Measure (SSIM)-based dynamic weighted adversarial loss is proposed to prioritize the restoration of visual texture details. Experimental results validate that PRRDPF significantly outperforms the best models in Peak Signal-to-Noise Ratio (PSNR), SSIM, and Learned Perceptual Image Patch Similarity (LPIPS), effectively mitigating artifacts and enhancing clarity in person visuals. This framework presents a promising approach for intelligent video coding integrated with generative artificial intelligence and holds significant potential for practical applications.
Linyun Liu, Li Yu, Jiaxin Zeng et al.· IEEE Signal Processing Lette...· 0 citations
RAW video restoration is fundamental to high-quality low-level perception and serves as the basis for a wide range of downstream vision applications. While binary neural networks (BNNs) enable efficient lightweight deployment for image enhancement, their deficiencies in modeling temporal coherence and activation value distributions hinder their effectiveness when applied to video scenarios. In this paper, we propose BinRVR, a binarized RAW video restoration framework that reduces computation and parameters by approximately 96% while incurring only about 4% performance degradation. Specifically, we present a Binarized Information Interaction Module (BIIM) to jointly model spatial and temporal information in an efficient and unified manner. Moreover, we develop a Distribution-Aware Binarized Convolution (DAB-Conv) that leverages the statistics of full-precision activations to mitigate quantization errors. The proposed framework further supports multi-bit quantization, enabling flexible accuracy-efficiency trade-offs across different hardware constraints. Extensive experiments demonstrate that our BinRVR achieves competitive performance compared with state-of-the-art binarized methods on RAW video restoration tasks, including low-light enhancement, denoising, deblurring, and super-resolution. We further explore the potential of our method on downstream video applications, including object detection and monocular depth estimation.
Tianyu Zhu, Ying Fu, Hesong Li et al.· IEEE Transactions on Pattern...· 0 citations