In Rabindranath’s view, a human being is not merely a physical entity; within lies the ‘religion of man’ — or humanity itself. He portrayed the lives of the exploited and the neglected with profound reverence in his literature. Throughout his life, he sought to recognize and honor that enduring human aspiration — rooted in truth — towards the overlooked masses of his homeland. He was not merely a ‘World Poet’ (Visva-Kabi); in the truest sense, he was a poet of the soil and its people. The nature of Bengal, the joys and sorrows of ordinary folk, their pangs of separation, and the vibrant rhythms of their lives found exquisite expression in his works — particularly in ‘Sonar Tari’, ‘Chhinnapatra’, and various poems centered on rural life. Rabindranath’s humanism was not confined to the web of scholarly theory; rather, it was embodied through active engagement and service. We witness a successful and practical application of this philosophy in his initiatives within the communities of Shilaidaha and his rural reconstruction efforts at Sriniketan.
The author of this work tries to extract the root of the lasting relevance of the vast musical repertoire of Rabindranath that performs the role of philosophical and ethical guide for the people of the modern era battered with woes and traumas. His genius began sprouting up in the late nineteenth century, and continued...
Novels are primarily crafted around actual social phenomena. Consequently, in historical novels, the society and social dynamics of the past naturally take precedence. Now, when we speak of the ‘social’ aspect, can every stratum of a society — from top to bottom — truly merit significance as a subject within a historic...
Things have a very strange way of existing within human societies, they could be much ‘sought after’ entities yet could arouse a deeper ‘pathological hatred’ directed towards them. Michel Serres said that our whole life is consumed by chasing objects, in adoring them, in making a fetish out of them, in collecting and s...
P. Singh· Journal of Consumer Culture· 0 citations
Tadeusz Różewicz perceived World War II as an apocalyptic catastrophe that brought about the death of poetry. He acknowledged that existing means of expression were powerless in the face of the extermination of Jews, and that this inadequacy evidenced the exhaustion of earlier poetic forms. Różewicz felt compelled to...
P. Stępień, Agnieszka Jeżyk· The Polish Review· 0 citations
Nature, existence of animals and world are interrelated. World is a place to live and she without Nature, cannot be imagined. This Nature is the center of all activities of all people and animals of this world. Writers of all ages have praised, worshipped, painted, narrated or depicted this Nature in their works. Thus,...
Mohammad Shirajul Islam· International journal of res...· 0 citations
As a frequently overlooked dimension of the wilderness, the sea functions as a critical site through which fictional characters come to recognize human smallness. This is mediated by encounters with the volatile weather, nonhuman life, and a mode of perception that contrasts sharply with that of a civilized human commu...
Rao-Ban T. Na, Florence Toh Haw Ching· World Journal of English Lan...· 0 citations
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