2026· International Journal of English Literature and Social Sciences· Vol 11, pp. 44-48· 0 citations
Abstract
This Research paper deals with a critical study of selected Indian queer literary marvels written by different Queer Writers of India, which has found its deep expression in the anthological collection “Yaraana” (1999) by Hoshang Merchant. Being gay or queer in India has always been considered and believed to be of occidental origin and has no connections with Indian society despite the fact that Homosexuality in India dates back to as early as the 2nd Century CE and is mentioned in the ancient Indian text Kamasutra and is explicitly depicted in the famous Khajuraho Temple. Most early modern queer writings were not documented due to the fear of being executed, as it was illegal and despised at the time. Queer Indians have secretly produced a lot of good writing reflecting their common lives, perceptions, feelings, pains, and pleasures. These emotions finds its expressions in both English and other Vernacular languages and the later is also translated into English by many modern and openly gay writers like Hosang Merchant, R. Raj Rao, Mahesh Dattani, Ashok Row Kavi, Vishnu Khandekar, Vikram Seth etc. Due to the queer nature of queer literature, most writings are difficult for common readers to find. Unlike the common literary genres, the LGBTQ genre came much later in the English Literary Canon. The anthological collection of gay writings from South Asia by Hoshang Merchant has made the critical study of Queer Expressions easy and possible. The anthology is a collection of 47 Queer Expressions by different Queer Writers of South Asian origin, mostly from India. Diaspora has also enriched the queer literature through their vivid expressions and shades . Love, deception, acceptance, romance, hidden lives, queer feelings and fear of being found out, sexual desire and pleasures, and unfulfilled ambitions have been beautifully woven through stories by queer writers. This provides insight into their lives and the societal conditioning impacting their lives.
In any branch of knowledge, including literary criticism, there are terms that have been known since ancient times, but more than once “changed” their semantic content. This term also represents the adab, which is key for medieval Muslim culture. It is still actively used by the Tatars in the meaning of the “norm of...
D. Zagidullina· Vestnik of North-Eastern Fed...· 0 citations
This section presents extracts from Ibn al-Nadīm’s Kitāb al-Fihrist, usually translated as “The Catalogue,” a text about the origins of three languages and their scripts—Arabic, Syriac, and Persian—which were relevant to the flourishing intellectual life in the Abbasid caliphate from 750 CE. In each of the three cases,...
S. Brentjes· Plurilingualism in Tradition...· 0 citations
This research paper examines Nâzik al-Malâ’ika’s Qarâra al-Mawja (The Bottom/Depth of the Wave) as a significant landmark in the development of modern Arabic poetry. Published in 1957 and comprising forty-one poems, the collection represents an important stage in al-Malâ’ika’s artistic development. It demonstrates her...
Nurjahan Ansary· EPRA International Journal o...· 0 citations
Although Northeast India, and particularly Assam, constitutes a relatively small part of South Asia, it holds considerable socio-political and geographical significance. Recent political developments have positioned Assam as a key gateway for India to the Association of Southeast Asian Nations (ASEAN). Consequently, th...
Himakshi Kashyap· The Creative Launcher· 0 citations
This article analyzes the uses of anger in pop music produced by Black LGBTQIAPN+ artists in Brazil, based on a corpus comprising "* bomba pra caralho" by Linn da Quebrada, Alice Guél, and POV3DA (2020); "Ain't I a Woman?" by Luedji Luna (2020); and "Não é comigo" by Rico Dalasam (2021). Drawing on Audre Lorde's reflec...
Talita Ferreira Gomes da Silva· Revista Coletivo Cine-Fórum· 0 citations
We use cookies to run the site and, with your consent, for analytics and to show ads.
See our Cookie Policy.