Aug 2026· Journal of Humanities and Cultural Studies· Vol 2, pp. 16-19· 0 citations· 11 references
Abstract
Intangible cultural heritage is a living inheritance of the people's lives and customs that links the past with the present. In this life system, women have traditionally served as the main, but often unrecognized, bearers of oral culture, textile skills and family traditions. This paper investigates the deep connection between cultural memory and female subjectivity in intangible cultural heritage. Given the theoretical convergence of collective memory studies and feminist discourse, this paper will investigate how traditional crafts and embodied practices serve as necessary paths for women's liberation and identity formation. Women have been marginalised by patriarchal and monument-oriented societies historically, but in recent years, they have used intangible cultural heritage for economic reasons and also as a way to express their own ideas and revise historical narratives. At present, around the world, these practices have been revived and now serve as cultural symbols by female artisans. The study shows that the protection of intangible cultural heritage is closely related to promoting gender equality, and therefore, women's subjectivity should be taken into account in all parts of the discussion on global heritage protection.
This article focused on the impact of African Traditional Religion’s ancient artefacts, relics,
symbols and masks in contemporary communities and implication for modern artisans. The
world marked by cultural skirmish with Europeans, led to trans-border movement of sacred
worship elements which represents African cultur...
Joshua Sijuade Ogunlade· Research Journal of Humaniti...· 0 citations
It is said that the Kumbh Mela is the largest and greatest human gathering in the world; however, this paper studies the Kumbh not merely as a religious gathering but as a multi-layered cultural phenomenon faith, that constantly produces memory and identity through ritual participation. Instead of understanding memory...
Priti Bala Sharma· Towards Excellence· 0 citations
Positionality
I write as a Brazilian feminist artist and researcher based at Edith Cowan University, whose practice moves between Brazil and Australia, and between the roles of photographer, participant, and subject: I photograph other people, and I also place my own body in the work. My earlier involvement with the co...
Patrícia Amorim da Silva· M/C Journal· 0 citations
This article proposes a topic for discussion on commemoration as a cultural process that not only exhibits resil-ience in its classical forms but also actively embraces and utilizes new communicative, technological, and creative practices. Commemoration encompasses not only the memory of traumas and epic events of the...
Zoia Yu. Zhelnina, Ksenia N. Korzheva· Общество философия история к...· 0 citations
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