Narrative Strategies and Linguistic Style in the Historical Fiction of Timeri N. Murari
Abstract
The primary objective of this article is to examine the narrative strategies and linguistic style employed by Timeri N. Murari, a prominent author in contemporary Indian English fiction, in his three historical novels namely, Taj, The Imperial Agent, and The Last Victory. Murari redefines history and identity through an array of narrative techniques and stylistic choices. The article also explores key tenets of a literary work such as title, setting, plot, theme, point of view, narration time, and characterisation, highlighting how these techniques formalise both the personal and collective dimensions of history. It further investigates Murari’s peculiar use of diction, syntax, similes, metaphors, humour, and magic realism, which together enrich the texture of his fiction and localise English expression within the Indian context. By weaving cultural idioms, inter-texts, and mythological references into his fiction, Murari formulates a hybrid narrative form that harmonises linguistic innovation with historical imagination. In addition, it demonstrates that Murari’s novels function not only as re-interpretations of historical events but also as artistic explorations of colonialism, nationalism, love, and human experience. Finally, this article argues that Murari’s stylistic and narrative dexterity situates his fiction as an important contribution to the evolution of Indian English historical writing.