Jul 2026· Gumanitarnye vedomosti TGPU im L N Tolstogo· pp. 62-78· 0 citations
Abstract
The purpose of the article is to identify the interpretative possibilities of poetic translation based on William Blake’s poem “The Fly” and its Russian versions. The author seeks to reveal how translation decisions - semantic, syntactic, metrical, and punctuational - shape different philosophical attitudes in the text. The novelty of the article lies in approaching translation not through the traditional categories of equivalence and adequacy, but within the framework of the rhizomatic logic of G. Deleuze and F. Guattari, as a process of meaning-making. The author interprets translations not as copies of the original but as independent events that actualize different potentials of the source text. As a result of the analysis, it was possible to identify fourclusters of Russian translations with regard to the philosophical attitude of the final stanza: Stoicism, Romanticism, existentialism of “authentic presence,” and existential skepticism. The study shows that individual translation decisions can radically transform the philosophical perspective of the text. The article concludes that the corpus of Russian translations of “The Fly” represents a network of equal interpretations, each expressing a particular view on life, death, and consciousness, not a hierarchy of “faithful” and “deviating” versions. This approach allows translation to be seen as philosophical and literary creation, rather than as a secondary reproduction of the original text.
The study aims to establish the specific meanings of the lexeme “князь” (prince) in Russian religious texts through the lens of Russian language history. This article presents an analysis of lexicographic material from historical dictionaries of the Russian language and examples from Russian religious (Orthodox) discou...
Evgeny Mikhailovich Shevko· Philology. Theory & Prac...· 0 citations
This study aims to examine the Qur’an’s two translations as a parallel discourse with respect to the theme of tahrif (distortion, falsification, misrepresentation, hide, addition, omission) in the previous books Torah and Bible. The study utilizes André Lefevere (1992) translation theory of rewriting and manipulation a...
This article presents a comparative analysis of the semantics and pragmatics of the metaphors manus and hand (ruka) as instruments of power in ancient Rome and Russia. Its goal is to reconstruct the functions of the symbolism of the “hand” and to identify shared semantic motifs and differences in two contexts. Methodol...
S. Sakhnevich· The Journal of Political The...· 0 citations
Poetry translation represents one of the most complex forms of translation because it requires the transfer of linguistic meaning together with cultural, aesthetic, and emotional dimensions to be balanced between the two cultures. Unlike ordinary texts, poetry contains symbolic images, metaphors, and culturally embedd...
Ahmed Abraheem Eisay· Shihab Journal of Humanities· 0 citations
The subject of the research is the analysis of Russian translations of poetry by Li Bo, an outstanding representative of Chinese classical literature of the Tang era, through the prism of the principle of cooperation by G.P. Grice, which is the fundamental theory of pragmatic linguistics. The object of the research is...
Introduction. Ideas about the family in Russian culture of the 19th century underwent major changes, which was clearly reflected in the literature of that time. However, the linguistic side of this process - in particular, how exactly the cross-cutting images and metaphors describing the family way of life changed - re...
T. G. Borisova, A. N. Pechenyuk· Гуманитарные и юридические и...· 0 citations
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