Jul 2026· Knowledgeable Research A Multidisciplinary Journal· Vol 1, pp. 266-278· 0 citations· 13 references
Abstract
This paper investigates the conceptual and philosophical resonances between the Vedantic notion of Ātman the eternal, inviolable self and the construction of indigenous selfhood and spiritual identity in Hansda Sowvendra Shekhar's novel The Mysterious Ailment of Rupi Baskey (2014). Drawing on Advaita Vedanta, postcolonial theory, and indigenous studies, the paper argues that Shekhar's text performs a cultural and ontological negotiation, reinterpreting classical Hindu metaphysics through a distinctly Santali cosmological lens. The novel's protagonist, Rupi Baskey, embodies a form of selfhood that is simultaneously communal, ecological, and transcendent qualities that both align with and critically deviate from Brahmanical articulations of the Ātman. By situating the text within the broader discourse of Adivasi literature and decolonial epistemology, this study demonstrates how Shekhar recovers indigenous spiritual frameworks as sites of resistance and identity formation. The paper contributes to the growing field of Adivasi literary studies and to interdisciplinary conversations between Indian philosophy and postcolonial literary criticism.
The paper offers an ecofeminist reading of Indira Goswami's The Man from Chinnamasta (2006) by applying Satischandra Chatterjee and Dhirendramohan Datta's conceptual framework of classical Indian philosophy, presented in An Introduction to Indian Philosophy (1939). The paper analyses Goswami's novel through four interr...
Sakshi Dahiya, Tamishra Swain· Journal of Applied Bioanalys...· 0 citations
This article argues that Hanan al-Shaykh's Women of Sand and Myrrh, Sahar Khalifeh's Wild Thorns, and Leila Aboulela's Minaret theorize gendered resistance as situated, everyday practices rather than singular acts of overt defiance. Reading the three novels through Chandra Talpade Mohanty's decolonized feminism, James...
O. A. Alkhamees, A. Z. Albasheer, Saud Rashad Alanazi et al.· Journal of Intercultural Com...· 0 citations
Kazi Nazrul Islam’s Bidrohi (The Rebel) is uniquely significant in modern Bengali literature because the idea of rebellion in it goes beyond immediate political protest and turns into a full-fledged vision of human emancipation. In the volatile backdrop of British colonial India the poem develops a militant lyrical sel...
Md. Sazzad Hossain, Mohammad Shah Alam Chowdhury, Syed A. F. M. Rahmat-E-Khoda· International Journal of Bus...· 0 citations
Did I create you in my image or did you create me in yours? — (Postcards from God, Question 2) Imtiaz Dharker, 31 January 1954, an acclaimed Pakistani-born British poet, artist, versatile diasporic Muslim poet, a painter, and a documentary filmmaker, refers to herself as a ‘Scottish-Muslim Calvinist.’ Her poems are the...
Abhilasha Rohilla· International journal of lan...· 0 citations
In her novel, The Forest of Enchantments (2019), Chitra Banerjee Divakaruni provides an updated retelling of the ancient epic Ramayana through the voice of Sita, who emerges as a self-sufficient, contemplative, and hardworking protagonist. Despite its status as a feminist retelling of the original story, surprisingly,...
A. Salunke, N. Patel, Anjali Kumar et al.· RESEARCH HUB International M...· 0 citations
Girish Karnad’s The Fire and the Rain (1998) reimagines an episode from the Mahabharata to interrogate the relationship between ritual authority, social hierarchy, power, and human suffering. While the play foregrounds the spiritual ambitions and conflicts of upper-caste male characters such as Yavakri and Paravasu, it...
Arunkumar Nooli· International Journal For Mu...· 0 citations
We use cookies to run the site and, with your consent, for analytics and to show ads.
See our Cookie Policy.