Aug 2026· Quantum Journal of Social Sciences and Humanities· 0 citations
TL;DR
It is demonstrated that artificial intelligence generated content technology can facilitate the preservation and innovation of intangible cultural heritage, offering a practical method for integrating traditional embroidery with generative technology, and providing new insights and references for developing innovative media applications within the field of intangible cultural heritage.
Abstract
This paper presents a theoretical and experimental exploration of how artificial intelligence generated content diffusion model technology can be applied to the preservation of Bian embroidery, an Intangible Cultural Heritage. The study first analyses the artistic characteristics of Bian embroidery, focusing primarily on colour and patterns. Subsequently, a database of colour and pattern elements was constructed and translated into prompts, whilst standardizing prompt variables. Using three AI diffusion model software programmes: ChatGPT, Gemini and Midjourney; innovative Bian embroidery patterns were generated. The experimental results indicate that all three models are capable of reproducing the visual elements of Bian embroidery. However, differences exist between the models: ChatGPT’s output more closely resembles traditional styles; Gemini tends to modify new pattern elements; whilst Midjourney generates patterns with greater visual expressiveness. This demonstrates that artificial intelligence generated content technology can facilitate the preservation and innovation of intangible cultural heritage, offering a practical method for integrating traditional embroidery with generative technology, and providing new insights and references for developing innovative media applications within the field of intangible cultural heritage.
The fast growth of digital technology and generative artificial intelligence (AIGC) has put the digital preservation and adaptation of traditional cultural resources under high-profile consideration. At present, most of the design of Miao embroidery cultural and creative products can be regarded as monotonous pattern a...
Lu Lu· International Journal of Asi...· 0 citations
Against the backdrop of cultural digitalization and the rapid development of intelligent information technologies, the activation and sustainable inheritance of design-oriented intangible cultural heritage (ICH) face challenges including inheritance discontinuity, insufficient innovation, and limited market adaptabilit...
This study addresses persistent challenges in translating intangible cultural heritage into urban regeneration, including barriers to cultural interpretation, limited contemporary design expression, and insufficient public participation. It investigates a design methodology through which artificial intelligence generat...
P. Xu, J.-Y. Shen, T. Zou· Advanced Electromagnetics· 0 citations
By integrating cultural genes with extensible semantic concepts, this study explores the application forms and design methodologies of the material manifestations and underlying essence of Lu embroidery’s intangible cultural heritage within contemporary social contexts, thereby promoting outstanding national culture by...
This paper examines how intangible cultural heritage (ICH) fashion products adapt to the contemporary Chinese market and meet diverse consumer demands. It conducts a PEST analysis and three case studies—Guo Pei, ZHUCHONGYUN, and Loewe—to explore successful integration strategies. The findings reveal that growing nation...
Jia-Qi Ren· Advances in Economics, Manag...· 0 citations
Aiming at the problems of strong subjectivity in Taishan wood-based cultural and creative design, low added value of bio-based materials, and superficial cultural translation, this paper proposes a systematic design framework coupling Grounded Theory with the Fuzzy Analytic Hierarchy Process (FAHP). A three-dimensional...
Zhi-Fang Shi, Bai Xue, Yongkang Shi· BioResources· 0 citations
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