This paper examines collaborative performance with AI-augmented instruments through a practice-led experiment involving two musicians, and analyses the agency at play to unpack how creative control is distributed between human and machine.
This full-day workshop uses the concept of dissonance to think about and experience AI in live performance, covering visual, musical, and other creative practices, and aims to develop a shared vocabulary through hands-on, practice-based engagement.
Daniel Snow, Alexander Cohen, Enrique Encinas et al.· Adjunct Proceedings of the 1...· 0 citations
Embodying the Artificial examines how dance creation unfolds in dialogue with generative AI and related technologies to explore how generative systems reshape the creation and performance of dance.
By re-considering what counts as signal in augmented instruments that use machine-learning, this work contributes to NIME discussions on affordances, agency, and relational instrument design, fore-grounding co-agency grounded in responsiveness and emergent behaviour.
The hypothesis is that control and agency is distributed by machine learning’s algorithms, in which designer and performer, have to navigate through the feedback system made of gestures, latent space and spatialized sound.
Pablo Mollenhauer, Alejandra Pérez Núñez· 0 citations
The advent of artificial intelligence (AI) technology within music has changed the improvisational performing style and aesthetic underpinning of jazz. Based on the philosophy of technology and the aesthetics of music, this article identifies three levels on which AI intervention has restructured the basic configuratio...
Rui-Xiang Zhu· Academic Journal of Art and...· 0 citations
