This work shows that, as image generation evolves from isolated outputs to coherent visual narratives, safety must evolve accordingly, from per-image moderation to stateful reasoning over interactions and image relationships.
Abstract
Picture books and comics have long been used to disseminate hateful narratives because they are easily understood even by children, as exemplified by the notorious Nazi propaganda picture book \emph{Der Giftpilz}. Recently, frontier text-to-image (T2I) systems such as Gemini and GPT-Image have enabled conversational generation with consistent characters and scenes across turns, making hateful visual stories, namely ordered image groups that collectively convey hateful narratives, cheap and scalable to produce. Although prior work has studied hateful content generation by T2I systems, it focuses on individual images, leaving group-level hateful meaning largely unexplored. We aim to address the gap. Concretely, we introduce \texttt{HatefulStoryPrompts}, comprising 330 multi-turn configurations from 55 hateful stories across two languages and three visual styles, and evaluate five frontier models over 4,950 attempts. Every model completes over 80\% of the stories, with the strongest reaching 99.0\%. We further evaluate existing moderation systems on \texttt{HatefulVisualStory}, a human-labeled dataset of 969 hateful image sets and 990 benign controls, and find that they frequently miss group-level hateful meaning: dedicated safety models achieve at most 34.9\% recall, while a strong vision-language model reaches 67.5\%. Finally, we propose complementary proactive and post-generation defenses. An interaction-aware monitor achieves 97.3\% recall for prompt-only sessions and 92.6\% when the user supplies the first image, while post-generation methods jointly analyzing completed image groups reach 80.2\%. Our work shows that, as image generation evolves from isolated outputs to coherent visual narratives, safety must evolve accordingly, from per-image moderation to stateful reasoning over interactions and image relationships.
This introduction provides an overview of the fifteen papers accepted to the Communication, Digital Conversation, and Media Technologies minitrack of HICSS 2026, and charts how platforms, publics, and producers co-create contemporary communication.
Seth C. Lewis, Gina M. Masullo, Y. Kalman· 0 citations
This work compares bias expression across photo, storyboard, and comic generation in six T2I models by adapting BBG, a text-based bias evaluation framework, to image generation and finds that photos mainly encode biases through subtle visual cues, while storyboards and comics reveal them more explicitly through event s...
Junyeong Park, Sowon Min, Euna Jang et al.· 1 citation
This survey focuses on visual humor understanding in single-image and multi-panel artifacts, while treating humor generation as an emerging downstream frontier, and synthesizes benchmark design, evaluation protocols, and modeling paradigms based on multimodal alignment, evidence-grounded reasoning, and controlled gener...
Tuo Liang, Zhe Hu, Disheng Liu et al.· arXiv.org· 0 citations
The study contributes a cautious comparative framework for distinguishing prompt-induced structural conformity from analytically emergent features in AI-generated narrative.
It is found that many vision-language models struggle on this task (with many performing at near-chance levels of accuracy), while audio-visual models (including those that use audio in captioning scenes) reach a maximum accuracy of 61.1%, well below human-level performance.
David Bamman, Kent K. Chang, Allison Cooper et al.· 2 citations
Stories persuade audiences whose explicit beliefs diverge, and the question of why this happens motivates a long line of work on narrative transportation. This article asks how the transportation mechanism operates when a story withholds a verdict and leaves its central conflict open, and it does so through a structure...
Cristian Ricardo García Zelada· Universal Library of Arts an...· 0 citations
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