The paper presents a cognitive-discursive study of the gendered proverb Boys will be boys with the focus on its actional and metalinguistic dimensions. The main aim is to explore the discursive dichotomy of the dictum, i.e. its role in 1) perpetuating gender stereotypes about men and reinforcing gendered expectations in Anglo-American society, and, more recently, in 2) reflecting and promoting change catalyzed by the gender equality movement. The material comprises 400 examples, including texts from online articles, opinion pieces, blogs, social media posts, and memes spanning the last twenty years. The research methods applied were Critical Discourse Analysis (CDA) and Sociocognitive Discourse Studies (SCDS) methodology, complemented by the linguocultural method, stylistic analysis, sampling and corpus methodology. The comprehensive analysis of the linguistic, cognitive, and discursive profiles of the dictum Boys will be boys suggests that the gender stereotype embedded in the proverb is being challenged and redefined in discourse, both via canonical and recycled (modified) use, resulting in anti-proverbs. The anti-proverbial derivations attest to significant shifts in social norms and encapsulate sociopolitical change.
Hindi popular cinema in its studio era as well as in its OTT era has been an enduring medium through which speaker types have been socially encoded. The paper uses a bounded corpus of 2025 Hindi language feature films (40 theatrically released and two long-form web series) to explore how the language and paralinguistic...
This This study aims to linguistically analyze the feminine and masculine performance in The Stronger by August Strindberg and The Dumb Waiter by Harold Pinter. It aims to examine how the gender identity is socially constructed, fluid and context-dependent and how it is expressed through the strategic linguistic choice...
Aysha Parveen Noor, Musarat Yasmin· Journal of Arts and Linguist...· 0 citations
This study examines women’s language features and gender performativity in Wicked (2024), focusing on the dialogues of its two main female characters, Glinda and Elphaba. The study aims to identify the women’s language features used by the characters and to examine how these linguistic choices contribute to their perfo...
In recent years, so-called "gender-neutral language" has become a point of discursive contention in the public sphere, especially in cyberspace. Far from being restricted to a strictly linguistic issue, this debate mobilizes political, ideological, and symbolic disputes related to the inclusion, visibility, and recogni...
This paper analyzes how Sayaka Murata’s novel コンビニ人間 (Konbini ningen; Eng. Convenience Store Woman) constructs, reproduces and destabilizes gender norms, normative femininity, and womanhood in contemporary Japan. Drawing on critical discourse analysis, gender theory, and Judith Butler’s concept of performativity,...