A striking pattern emerges: across all methods and modalities, the AI operates strictly as a spatial command executor, with collaborative and model-initiated categories entirely vacant.
Verbal communication emerged as an effective strategy for coordination among participants and the shared and dynamic visual representation supported spatial orientation and made collaborative actions, such as synchronizing movements or following gestures, more apparent.
A novel approach to computationally decompose and reconstruct the painting process itself is introduced, revealing how artworks emerge through systematic region-aware brushstroke sequences that mirror a more natural artistic practice.
When manipulating objects in immersive platforms through speech and gesture, users naturally construct spatial references, referring to scene entities, their bodies, or the environment. Leveraging spatial cognition theories, this work systematically examines how users construct and communicate spatial intent. Using a c...
Yangyang He, Zhuangze Hou, Yonglin Chen et al.· 0 citations
Results indicate that memory, geometric control, and rollout-aware training provide a practical foundation for generating coherent stories and continuously evolving interactive worlds.
Nan Duan, Hao-Yang Huang, Wei-Yang Jin et al.· 2 citations· ⚡1
BranchVis is presented, a prototype that represents prompts and generated images as nodes in a tree-based visualization, enabling direct navigation, unambiguous revisitation, integrated comparison, and management of complex histories.
Rifat Mehreen Amin, Alexander Nuss, M. Dutoit et al.· 0 citations
This work presents a training-free multi-agent system that edits existing 3D meshes directly in Blender by emulating the iterative workflow of human artists, and views this work as an exploratory step toward visual-centric agentic geometry editing in professional graphics software.
Bo Pang, Jiaqi Pan, Xiao-Chen Zhang et al.· 0 citations
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